Chelsea Handler vs. John Mayer

Posted by Sharilyn On August - 8 - 2009

Full disclosure upfront: I’m a fan of John Mayer’s. A fan of Chelsea Handler, not quite as much, particularly after this week.

Until now, I figured Handler sniped at Mayer the same way she snipes at other celebs. Everyone is fair game, and eventually the Chelsea Lately roundtable will have at ‘em. Like so, when she was joined this week by Chris Hardwick, Jo Koy, and Renee Gauthier (fresh from the Just For Laughs New Faces shows in Montreal) to have a collective Mayer hate-on.

[youtube=http://www.youtube.com/watch?v=NFQdhwglasg]

Fairly harmless. But the trouble I have comes at 0:38 of that clip where Handler says she had no problem with him until he started talking, which would be like if she decided to pick up a guitar.

Still, it appears like a typical snarky statement on the surface, but based on Mayer’s subsequent statements on Twitter, Handler has had an ongoing hatred of Mayer’s foray into standup comedy.

@johncmayer She once told me it was cocky of me to try my hand at comedy. Like I’m supposed to begin every joke with “here’s one that might not work…”

@johncmayer “Now, I’m just a musician and comedy is not my forte, so bear with me, but true story, I got into a cab today…”

@johncmayer If Chelsea Handler wanted to dabble in singing and playing guitar, I’d give her props for it. (I do talk too much though.)

@johncmayer I promise that my wanting to have fun in life and make people laugh will never cut into @chelsealately’s livelihood.

That last one killed me a little bit inside, I won’t lie.

Back when CBS announced the development of a John Mayer comedy/variety show, I outlined my supporting evidence of Mayer’s validity as a comedian in a post entitled In Defence of Comedian John Mayer. I also outlined how I, too, was cynical at first about Mayer’s “right” to waltz into the Cellar and go on stage, but how quickly I realized he wasn’t just fucking around.

I think it’s pretty obvious that he has positive intentions with this. He does want to have fun. He does want to explore comedy in a serious way. Through these standup sets and his Twitter (which does make me laugh), maybe he’s trying to reclaim the type of intimate connections he had with audiences before he became a full-blown celebrity? That’s simply a wild guess on my part. But I think there’s nothing negative about any of this.

So who voted Chelsea Handler the Comedy Gatekeeper? I’m guessing a lot of people posed this question directly to her, because all she could tweet back with was:

@chelseahandler Listen people, I have a hit show on a low level cable network to worry about. I don’t have time to explain why John Mayer isn’t funny.

It’s not about whether he’s funny or not. If “John Mayer isn’t funny” was her stance, this wouldn’t be news, because she ain’t the first to say as much. It’s news because she seems to be questioning his right to try to be funny.

I have a big problem with this.

Of course, I’ve seen a lot of people who probably shouldn’t be doing standup — and a lot of these people come right out and ask me for feedback. But I would never, ever tell a new comic to just quit. The only time I would do so would be a) if I thought they were causing themselves more stress and pain than the results alleviate, or b) they completely disrespect the stage, the process, and the art. Otherwise, it’s not my place to say who should or shouldn’t get behind the mic if they’re inspired to do so. (I might think it, but I’m not going to say it.)

Am I wrong? Is it ever okay to be so vocally dismissive of someone’s desire to get behind the mic?

As for Mayer, it seems he’s used to being criticized enough that Chelsea Handler isn’t going to keep him from doing what he wants to do. We’ll leave that to CBS.

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Just For Laughs: The Alternative Show

Posted by Sharilyn On July - 26 - 2009

The Alternative Show is one of those “sure things” of the festival, and with its midnight start time typically ends up capping off my week in Montreal. All the comics have gotten to know each other and are slightly loopy from the lack of sleep, and the paying audience usually only fills the main level, leaving the balcony for us laminate-clad folks who just didn’t get enough of host Andy Kindler at the State of the Industry address.

It became clear off the top that Kindler has a following in Montreal, something certainly not lost on him.

“This is a very vocal crowd and I don’t enjoy that,” he said.

Reggie Watts & Jon Dore double up at Saturday night's Alternative Show

Reggie Watts & Jon Dore double up at Saturday night's Alternative Show


Jon Dore kicked things off alongside surprise guest Reggie Watts. They each did their own standup set simultaneously, ignoring the existence of each other. It went on just long enough to start being enough, and then they came back out for an encore. Hilarious.

“Maybe I’m old school, but I found that very distracting,” Kindler said.

If slapstick is included in the Alternative Show does that mean it’s cool now? I sure hope so. Josh Fadem fell down, got tangled in the mic cord, split his pants, got stuck while taking his sweater off, fell down some more… and did manage to get some jokes out in the process. Hooray for physical comedy, and a secondary hooray for having a special mic brought out for him to screw around with instead of causing problems with the normal one (is it wrong of me to notice these things?)

Aubrey Plaza, who is new at all this from having to learn standup for her role in Funny People, had some good stuff about old people on the internet, and New York City being “the only city where I’m afraid of having trash blown into my mouth.” During the week many were hailing her fast progress, but as should be expected there’s some work to do on the presentation side. Her awkward/blase/depressed tone works, but we could do without all the “umms” and then breaking that character by giving us a relatively chipper thanks/goodbye at the end.

Matt Besser brought out his Jason Yellow character (the no-armed deaf and blind comic) from North America’s Best Comic, one of my favourites from that show the night before. It was weird enough to work well, although Besser seemed to have forgotten about one of his characters traits. His “braille” setlist was taped to his leg so he could read it with his bare foot, but he kept looking down at it instead. But I think everyone was laughing too hard to care, so let’s move on.

Nick Kroll’s initial “what’s uuuuup Montreal!” gangsta schtick was hilarious unto itself even before he promised his set was “goona be a lot more Goldblum-y than that.” I can’t wait to see his newly pitched show about a bilingual hat called Fedora the Explorer.

And while I’m at it, allow me to burn one of Matt Braunger’s best lines: “Wild boys! Wild boys! Sorry, I have Duran Tourettes”. Runner up: “Since you guys have 15 sex shops for every 1 sex shop in this town…”

Marc Maron began the final set of the night with a tale about himself, Kindler, and Eugene Mirman getting lost while driving to a Target in the outskirts of Cincinatti — wherin we learn that he does a fantastic Kindler impression.

Maron moved onto a chunk very close to my heart, about his experience in Winnipeg a few months ago. “What the fuck is this? how many times can someone show me the windiest corner in North America?… I fought the urge to go up to people and say ‘you can just GO. Get on a bus or a plane or a train and just GO someplace where there’s coffee shops and black people…’” (I’m a former Winnipegger and did finally realize a few years ago that I could indeed just GO.)

He closed with a story about what must be the craziest woman he’s ever met on the road (I hope), who wanted him to help deliver a letter to the Governor at 1:30am because he’d saved her from Mormons. Or something like that. The crowd loved Marc, cementing my suspicion that everyone who loves Andy also loves him. A great way to bookend the evening.

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Just For Laughs: Louis CK @ Metropolis

Posted by Sharilyn On July - 25 - 2009

Metropolis is the venue set aside for only the most rockin’ of Just For Laughs shows (my first experience there was in ‘04 for Rob Smigel’s 3-hour Triumph the Insult Comic Dog Live so I became quickly initiated how insane things can get there).

The lineup was, as expected, wrapped around the building upon my arrival. Tip: it pays to make friends with someone with one of those $25 JFL membership cards that gets you to the front of the line. When the doors opened, it was like the Winnipeg Folk Festival tarp run as people fought each other for a position as close to the stage as possible.

A francophone-accented voice came over the PA system to make seemingly standard announcements, revealing otherwise upon promoting Cher’s upcoming run of shows at the same venue, and that flash photography would be permitted only every 14 minutes and in increments of 14 minutes. The tone dropped and the voice was revealed to belong to Louis himself, of course. We didn’t have a chance to cheer appropriately before he introduced his opener, Jimmy Carr. Yep, you know you’re at a good show when Jimmy Carr is the opener.

Louis opened by telling stories about coming up to Montreal from Boston with friends when he was 17 to “get drunk in the park and bother Canadians.” He also marveled about the plethora of punk kids in Montreal who drive around listening to French rap.

The arc of his material through the show seems to go from observational, to social commentary, to personal relationships and kids.

He started with a bit he did in Toronto a week ago, about the inability to have fun in Buffalo no matter how much money you have. From there, a piece that has me laughing harder than I ever laugh: the impatience and drama of getting off a plane once it lands.

“There’s only room for 20% of people to stand in the aisle, and the other 80% of the people are standing sloped.”

He did a truncated version in Toronto last week, and this lengthier one gives me even more joy.

louisckfri

The social commentary in a few of his bits is heavy-duty stuff, even on paper, but somehow doesn’t feel weighty in the moment. One of my favourite newish bits is about how his friend’s cousin from out of town and saw a bum on the streets of New York. She offered to help him, which Louis and his friend immediately corrected her on.

“Oh no, he needs you desperately, but we don’t do that here… Just a little cultural nuance that we ignore suffering constantly.”

Further on that theme, there’s the “there are people staving, and I drive an Infinity” bit. He could trade his car in for a Ford Focus, make $20,000 and feed thousands of people, but “every day I don’t do it and I choose to let them die with my car. I’m a piece of shit.”

He can say something like “I think about killing myself sometimes, but it’s completely narcissistic. I just picture people crying and shit,” and get a huge laugh off it. I can’t even begin to analyze that.

20somethings dominate his fanbase – at least the group that came out to last night’s show – and it’s incredible how relatable his large chunk of material about being a middle-aged divorced guy with kids is. These people haven’t lived through half of what he’s lived through. Is knowing they would be equally frustrated with that lifestyle that makes it connect? Is it the relief of hearing him say things about parenting that parents never have the balls to say?

The cool thing about watching a guy like Louis do shows a week apart is that you can note the differences in wording and inflection in jokes. It struck me last night that he isn’t married to any particular precise wording in a lot of cases. Example: in Toronto, he said milk cartons had been “invented by some Dutch faggot in 1740″. Last night, he said “that some Dutch fucking loser invented in 1783″.

It doesn’t have to be 1783. It doesn’t have to be 1740. It doesn’t have to be “loser” or be “faggot”. And if he wanted, it probably doesn’t even have to be “Dutch”. So many comics make definitive choices down to that level of detail, and program their autopilot to whichever seems funniest. But Louis doesn’t memorize down to that level of detail, and it’s primarily the ideas themselves that do the heavy lifting. When you think about it, doesn’t that sound like… I dunno… the correct way to do this? No wonder other comedians love him so much.

He returned to the stage for a lengthy encore, treating fans to his already-classic “everything’s amazing and nobody’s happy” bit.

“I’ve been looking forward to this show for a long time,” he said in the end. Same here, Louis.

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The hour we wait all year for (ok, I wait for… and Elon Gold waits for…you had to be there) was finally upon us this afternoon, as Andy Kindler delivered the 14th (really?!) annual State of the Industry Address at the Hyatt.

The blogged-about-yesterday Marc Maron introduced Kindler this year, because “I, like Andy, have absolutely nothing left to lose.”

Some highlights….

On the room, the logistics, and the crowd

Upon manager Bruce Smith coming up to tell Andy to move the extra mic blocking his face, Andy mused on the hotness of “partially obscured comedy”.

“Let’s make a podium but not make it useful like a podium would be.”

“Am I getting punk’d, or is that to old a reference?”

“We know he’s a standup comic, let’s have him work in the middle of two microphones”.

Later: “How’s the sound coming out of my shoulders?”

On the Festival itself

A Masters show called “the Mastrodesiacs”

“Claude Monet did the Masters show. Before he did a painting, he’d say ‘do you folks like Impressionism?’”

“After 9 years I was able to secure 2 economy class tickets for me and my wife.”

He got a call this year from the festival saying their airline seats might not be together this year, and he should go online the night before and if he could fix it himself. “Only Montreal would be able to find a way to do slightly less than the least they could possibly do.”

All About Andy:

“Everything I try to say is industry related or has to be something I saw on tv. I can’t do ‘on my way into the speech I saw they have energy drinks’.”

“I’m going to ridicule things that I’m not familiar with. I don’t have the time often to see everything. Does that make me the bad guy, as Carlos Mencia says after every joke? I’m the racist guy, because I said the racist thing? I’m the horrible guy because I said the horrible thing?”

“Andy seems to have a good personality, why can’t he have a show? And control the budget?”

“As you know, my act has gone completely digital. I signed a deal with the rabbit ears company. When everyone is no longer digital, I’ve signed on to continue completely in analog. So people in Florida will get me.”

“Sometimes when I’m on the road – and I say ‘sometimes’ because it’s hard to book me.”

“I’m doing a show called Up Your Alley. I play Alvin Alley, a private detective who lost his office due to recession and has to meet clients in an alley.”

Reality show pitch: “Real families who get foreclosed and become homeless, and we force them to act upbeat. Or we make them date each other.. Or give them 50k and make them fight over it.”

Sitcom pitch: “Everybody Feels Sorry For Raymond. Ray loses his job and can’t find any work except for free blog writing. Then he gets into a fight with Arianna Huffington.”

“For a couple months this year I toured the country as Andy Semitic. Sold out in Idaho every night.”

Joke about his mom using hip catchphrases: “my mom works for Bravo, that’s why it’s an industry joke.”

“I just got cast in a show called Over The Hills. Has someone done that joke? It seems too easy.”

Andy received an email meant for the other Andy Kindler, the professional wrestler. Andy clarified, and the guy wrote back with “thanks for letting me, know, I’ve been looking for him for a possible booking.”

“I was the first comic to say “have you seen or heard about the thing I’m about to talk about?’.”

“I was the first comic to fill up a dead moment by asking ‘what else is in the news?’”

“I was the first to say “am I right ladies?” Before that, comics didn’t care what lades thought of them.”

“I was the fist comic to find out what the name of the gay club in town, so I could do a joke about going there by accident.”

“I’ve created a lot of catchphrases. I have back end on ‘my bad’.”

“Facebook is a way to reconnect with people you’ve been trying to avoid for the last 10 or 15 years. This is a phrase I don’t need to hear: ‘are you still doing comedy?’”

andysoti2009

The biz & everything else:

On the Shamwow commercials: “Are you following me camera guy?”… “Tell ya what: you go on, we’ll come back and do pickups.”

On the economy hurting the execs: “You don’t know where your next paycheck is coming from, you have no 401k, now you know what it’s like to be a standup comic.”

On Howie Mandel making it onto the list of the 10 richest comedians: “Is anyone looking into this? Is there an investigation underway? I don’t even know if that’s counting Howie Do it.”

“Fox just signed milquetoast to a holding deal.”

“I used to think people didn’t get sarcasm, now I think people just don’t like sarcasm. ‘Why can’t he just SAY Howie Mandel doesn’t deserve $12 million a year?’”

“I have not seen a second of Tyler Perry and I know he’s horrible. My rule is, if you’re dressed up like a woman, that’s it. Mrs. Doubtfire won’t do it for me.”

“I just got a call from Obama. I was named Secretary of Funny. My first act will be to recall Larry the cable Guy…. Immediate moratorium on song parodies…. 20% across the board cutback in shock comedy…. Heavy fines for use of word ‘retards’ by alternative comics….Higher tariffs on overseas props. Buy American, Carrot Top!….Federal option for comedians not employed by Judd Apatow.”

Andy is very sad about agent layoffs, “but would prefer to see layoffs of 100%”.

Agents = “overdressed amoral freaks”

“I believe there should be less people in the entertainment industry who don’t entertain.”

“’Nice going Andy, CAA’s not going to sign you now.’ I would be more likely to have Jeremy Piven represent me.”

“William Morris and Endeavor are merging. Endeavor is bringing their 21st century poaching techniques, and William Morris brings the energy of a company that stopped trying 50 years ago. It’s a perfect synergy.”

Entertainment Weekly’s “What To Watch” section should really be called “Don’t Shoot the Messenger” or “Here it is, Good Luck to You”

The What To Watch writer’s commentary underneath the listing for Watch What happens Live (Bravo show) was ‘Yes because I’m interested in hearing Danielle’s thoughts on Transformers’. “Does anyone know who Danielle is?”

“You can’t yell fire in a crowded theatre, but you can yell fire in any screening of Paul Blart Mall Cop because those people deserve to be trampled to death.”

“Drew Carey, boy has he really parlayed himself into the world’s most boring gig.”

“They’re going to try to put Dane Cook in every format now to see what works. He’ll be Dane Cook CSI…. Dane Cook Morning Show: Good the Fuck Morning!… Game show host of Deal or Don’t Deal With It.”

“An article in Hollywood reporter said ‘Cook’s team agrees the key is finding the right piece of material’. I suggest they don’t go to Dane for that.”

“When did Bill Cosby decide it was a good career move to be deadly serious every time he’s on tv?”

“The Farrelly Brothers are remaking the Three Stooges. When I heard that, I couldn’t keep anything down for a day or two. They’re going to remake everything and ruin all our memories…. Is there something the Three Stooges left unsaid? What stone did the Three Stooges leave unturned? Were they not over the top enough?”

“When you read in the trades that Jim Carrey is in negotiations to play Curly, you know the end is near. What could be holding those negotiations up?”

Alternative titles to I’m a Celebrity, Get Me Out of Here: I’m a Celebrity, What did I Do To Deserve This Other Than This? I’m a Celebrity, Who Died and Prevented Me From Making These Horrible Choices?

“Larry King had the Bachelor on so he could get his take on Jon and Kate. A fake person to comment on a fake situation. He also asked Judge Judy what she thought about the Supreme Court nominee. And asked Candy Spelling if she likes to Twitter.”

“I saw a special on the Discovery Channel about unmanned drones. I thought an unmanned drone was Jay Leno at a corporate gig.”

“Will Jay Leno be able to be as edgy at 10pm as he was at 11:35? Will he still be able to have that late night jazzy feel? That subversive devil may care feel? Will people really GET Jaywalking? Will he have to dumb it down even further?”

On claims by NBC that Leno’s topical jokes will be “dvr-proof”: “Really? Jokes so weak that by morning they’ll be completely irrelevant?”

“They’re saying he new set is being constructed for comedy, should Jay not bring any comedy.”

“[Leno’s] jokes will be tested rigorously in Hermosa Beach”

On how 5 hours of Leno will be cheaper to produce than one hour of drama: “You know what would be cheaper? Not making any shows at all. Why don’t you just close at 8pm. Come back tomorrow morning to watch 5 hours of the Today Show.”

On Carson Daly’s fate come fall: “Who else would you want to see after 12 hours of talk shows?”

On the PBS special Make ‘Em Laugh: “It was made by people who clearly didn’t know anything about comedy, because they split everything into arbitrary categories. Wisecrackers! Noise Makers! Seltzer Deliverers!”

“Andy Rooney is still doing bits about crazy stuff he got in the mail.”

“Sherri Sheppard is getting her own sitcom, in case you were wondering ‘how is she going to be rewarded for her outstanding work on the View?’”

“There’s a lot of things I want to say right now in lieu of crying. Maybe I could be paid to stay home next year.”

“I feel bad for the Video Professor…. How good can your product be if you refer to it as a product?”

“I’m going to be Andy Analog. “Do you need tips on repairing a 56k modem? Is the magnifying glass you use to make fire cracked? I can convert any media into older media. Would you like to change your dvds into flip books?”

(And the above, dear readers, is possibly the first situation where being a girl in her 30s with strong office skills is advantageous: I’ve taken dictation for a lot of middle-aged Jewish men in my day. But none as great as Andy, of course.)

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Just For Laughs: The Hills, Chris Gethard, & Marc Maron

Posted by Sharilyn On July - 23 - 2009

First order of business: John Cleese is not dying. Yes, he had to cancel his Gala appearance last night due to prostatitis. But he’s not on death’s door — I saw him saunter through the exit of the Hyatt this morning, looking a little tired (stressed?) but otherwise in one piece. So Pythonheads and gala ticketholders, don’t panic. Based on my non-professional medical assessment from glancing at him as he walked by me, he’ll be ready for the rescheduled gala on Sunday night. More info on that here: http://www.montrealgazette.com/health/Replacement+show+John+Cleese/1818295/story.html

——

Other shows from last night that I want to give mention to: The Hills, Chris Gethard’s Magic Box of Stories, and Marc Maron’s Scorching The Earth.

The Hills: A Staged Reading is exactly what it sounds like. A lineup of Upright Citizens Brigade Theatre performers (Aubrey Plaza, Lennon Parham, Tami Sagher, Reggie Watts, Andy Daly, Riki Lindhome and Kate Micucci) held simple black binders, stepping forward to deliver the insipid dialogue in the most serious of tones. This simple formula is a product of UCBT-LA, and the results are incredibly pleasing. Reggie Watts in particular made a hilarious Brody (just picture it) and Aubrey Plaza was a better Lauren Conrad than Lauren herself.

——

The Hills was paired with Chris Gethard’s Magic Box of Stories, which I was thrilled to see after hearing so much about it. Audience members were selected to pull index cards from a box, which would dictate which absolutely true story Gethard would tell. On this night: tales about being a wrestling manager named White Pimp, being on assignment for Weird New Jersey magazine, and going through a herpes scare. What makes the show truly great are the video clips of his mother commenting on each story via videotape. She approves of virtually nothing he’s done, and her reactions are priceless. If my schedule allowed it, I’d attend his Saturday matinee of the show as well, as the content is guaranteed to be different.

——

I’ve been anxious to see Marc Maron for ages, and after a few near misses I was thrilled to see him on the schedule for JFL. Myself and an oddly sparse crowd (4 people total within the first 4 rows, though it filled out in back) were treated to a very dark and funny show centring around his two past marriages.

“There’s a blurb you don’t see in theatre posters – ‘Draining! 5 stars!’” he joked partway through.

Indeed, it’s a little heavy. But it’s funny, and his complete acknowledgment of his own behavior and mistakes makes it comfortable to take the ride with him. We know that despite his claims otherwise, he wouldn’t be so self-aware if he were as much of an asshole as the stories illustrate.

“I don’t know how many times I can stick my dick into a hurricane and expect different results,” he said.

What he shares seems less like his truth, and more like the truth about the destruction of his relationships. At times, it’s almost as if he’s witnessed all this from afar, or is talking about a whole other person. He never mentions being in therapy, but it’s hard to imagine anyone becoming this enlightened on their own. Chalk this one up as a “must see”.

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Just for Laughs: New Faces

Posted by Sharilyn On July - 23 - 2009

This is my 5th Just For Laughs Festival, and amazingly last night was my first ever New Faces show. New Faces is relevant primarily because of its former relevance. It’s a relic leftover from a past reality, when agents and managers would flock to Montreal (still happening) to hand out sitcom development deals to the first unknown to impress them (not happening). Does this one-stop-shopping show, always scheduled so it’s the first thing industry people see after flying in, still need to exist in this format?

I wasn’t the only one to notice how the show’s heat factor has worn down slightly over the years. Host Dan Levy reminded the sparse crowd that in recent years New Faces has been hosted by the likes of Drew Carey, Anthony Clark, and Kevin Pollack.

“I think it’s clear there are no development deals left in Hollywood,” he said.

The lineup:

Mose Kasher
A unique look and a unique style, delving into fast-paced rants that can’t not get applause breaks when he stops to take a breath. Would be interested to see his progress in a few years.

Al Jackson
Comfortable conversational style, talking mostly about his experiences as a school teacher in Miami and having to teach sex ed. Led into a bit about erectile dysfunction (“like trying to put a marshmallow into a coin slot”), which was not as cringe-inducing as you’d think it would be. I’d watch him for an hour.

Duncan Trussell
Took a risk by opening with something new: a bit about the creepiness of the JFL mascot and how it haunts his dreams. It paid off, though he lost the easy-to-lose crowd somewhat by going into a tangent about letting suicidal people die.

Pete Holmes
One of the few recognizable names on the bill didn’t disappoint. He established his character firmly, efficiently, and hilariously. His “I act like ‘fun dad’” bit is golden. 7 minutes, and we know without a doubt who this guy is. This is how a New Faces set is done — and 10 years ago, he’d have had a deal inked by sunrise.

Andrew Lawrence
I can’t imagine he’d be offended by being called “odd”, because there’s no other way to describe his awkward appearance and speedy yet monotone delivery. The lone Brit on the bill did talk about his appearance (a common theme through the evening, as it’s requisite part of the young comic’s repertoire) and his relations with his girlfriend. Response to him was positive, but could I handle an hour?

Renee Gauthier
Insert standard “bold female” descriptor here. Brazen? A firecracker? You get the idea. She’s polished, energetic, and went balls to the wall when delivering her musically-inspired opener and closer. She’s definitely a performer, and probably the most cast-able one on the bill.

Rory Scovel
When he took the stage and asked for “more applause for Dan,” I cringed. I’m in the camp that views that type of solicitation as an amateur move, and when you’re trying to impress a very jaded industry it’s best to erase all reminders that you’re relatively new at this. People I was with LOVED Rory, and I did like a few bits (like holding surprise parties for blind people), but for some reason I just didn’t connect with him.

Eric Krug
By contrast, Krug initially gave off an air of calm confidence that suggested he’s been doing this a long time, whether he actually has or not. A bit about celebrity knights being forced into service as actual knights was fantastic, and his closing audience participation bit about guessing who quotes were attributed to – Anne Frank or Tupac – could use some beefing up but is a great premise. My only complaint: rushing to spit out a very racist joke (about how black people don’t work hard) before bolting from the stage. Dude, you were doing so well. Why??

Dan Ahdoot
Why is Dan on New Faces? He’s young, but he certainly isn’t new. Wasn’t he on the first season of Last Comic Standing? It was pointed out to me later that he doesn’t have representation, so that could be the key to his name on the bill. Regardless, he spit out a solid 7 on his Iranian/Jewish heritage and being single. Nice to cap of the show with a sure thing.

This was half of the New Faces lineup this year; I will be seeing the other group later tonight, and will of course report back.

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