Del Close Marathon in Review: Day 2

Posted by Sharilyn On August - 22 - 2009

Make no mistake: sitting in the UCB Theatre for 7.5 hours straight on the Saturday night of the Del Close Marathon is a physical effort, especially for someone who normally has to be talked into leaving her apartment on a Saturday night. How those people who stayed through the entire Marathon did it, I have no idea.

I was drenched in sweat almost immediately. I drank 2 bottles of fruit smoothies and lots of water, and was still horribly dehydrated by the end of it. Holding a 2-pound weight infront of my face the entire time didn’t help the comfort level. At 30, I certainly felt I was at the older end of the late-night audience spectrum, I imagine because most people older than me have died in similar conditions at past Marathons, their corpses hidden behind the drywall (which would explain the smell).

One of my highlights Saturday night was seeing Improvised Shakespeare for the first time. I’d been meaning to for ages, and it never seemed to work out for me. Their following is totally justified.

Ian Roberts didn’t disappoint with Lazy Man. The hour flew by. The highlight was him reluctantly telling a story that had been an in-joke between he and his brother since they were kids, about Ian getting away with swearing during a family road trip, and his brother trying failing to get him in trouble. The story was told reluctantly because Mr. and Mrs. Roberts were sitting just feet away from their son, and Ian worried that the story won’t be special anymore now that they know about it. It was an oddly personal moment, something I didn’t expect to see during the Saturday night of DCM.

I was pleased to see Ed Helms perform in what would be his only show of Marathon, Seth & Ed’s Puppet Talk Show. Having left their “puppet theatre” back in LA, Helms and Seth Morris came out on stage with what appeared to be paper tablecloths covering their heads. Damn them, thought I with the camera. At this point, it would have been about 95 degrees in the theatre, plus the lights shining on them, so it only took about a minute before Helms commented on the heat and the fact that the makeshift human backdrops may have been a bad idea. I’d often wanted to yell “take it off!” at Helms, so I gave into that impulse and they subsequently removed their little paper barriers. Gentlemen, my camera thanks you.

Their celebrity guest, Sarah Silverman, also returned to the stage for the Benson Interruption (along with Rob Huebel and Paul Scheer). I sure have been getting my fill of Sarah lately, between this and Toronto in July! I definitely am not complaining. She was hilarious and interesting and WOW is that girl photogenic. The Comic’s Comic has video of her appearance with Seth & Ed, which is worth the watch.

After Doug Benson & friends, the true late-night insanity started. Smartest Panel of Experts (hilarious), Cracked Out (was NOT expecting this to turn into a bad rave!), Psychic Improv (strange change of pace), and then the coup de grasse…

In prior years, I had not stayed late enough for Match Game ‘76. It’s been described to me as “epic”, and I missed out on last year’s Brooke Shields appearance and subsequent bullshit retelling of it in the NY Daily News. I was determined and committed to seeing it this year, and I suppose it was worth sticking around about an hour past my “fed up” point.

I was in the absolute wrong place for viewing much of the Match Game insanity, but it was crazy and enjoyable and fun to catch glimpses of Jack McBrayer getting shit upon. But it’s definitely a frat-boy thing. Yes, let’s smash a watermelon on the stage… not caring that the girls sitting on the stage infront of you may have a differing opinion on how much fun that is. (Having photographed a lot of variety/sketch shows, this a bit of a sore point for me, as I’ve actually had asshole performers purposely try to get prop food/beverage on my camera gear. So this whole disregard-for-comfort-and-property thing gets me kinda pissy.)

I must admit I don’t remember half of what I witnessed during Match Game ‘76 — I couldn’t even properly answer my friend who asked me who all was in it — so I pray video surfaces at some point. Though I’m sure many of the performs pray that it doesn’t.

It was 2:30 am. I had made it as far as I had promised myself I would. After a run backstage to chug a Miller Lite (I was that desperate for liquids) I went back to the hotel and showered with my clothes on, as they had been rendered too disgusting to even contaminate my luggage with. And it was off to sleep and get ready to do it again the following afternoon.

1 photo from each show included after the jump.

View more photos

  • Delicious
  • Facebook
  • Reddit
  • Twitter
  • StumbleUpon
  • Digg
  • Share/Bookmark

Del Close Marathon in review: Day 1

Posted by Sharilyn On August - 18 - 2009

Ahh, Friday! Fresh faces, sanitary eating habits, and hydrated bodies. This was the way of life just days ago. It’s hard to believe now, after living in our own filth for the remainder of the weekend, that we were ever sober and possessed clean laundry.

I spent my time at the Del Close Marathon occupied with photography duties, so my recaps are brief (but pretty). Full sets of photos are not currently available, but I’ve chosen one from each show to tease y’all.

Favourite moments from Friday night:

Moments before door opening, Friday afternoon

Moments before door opening, Friday afternoon

-All of Press Conference, including Matt Besser choking up a little talking about Del’s final words to the UCB4.

-Chris Gethard as an unstoppable Andy Rooney during Stepfathers. Hilarious.

-Matt Walsh and Jon Glazer calling “time outs” during Apples & Oranges to explain improv technique to the crowd.

-Mark Sutton singing Dido during Bassprov. So out of context.

Wyatt Cenac sat in for Ed Helms in Satellites, the Dave Matthews Band inspired show. The ask-for was a favourite DMB lyric or song title, from a fan. The selected fan chose “Crash Into Me”. To which an actual douchey DMB fan responded “you’re not really a fan!”. Ok, I admit it, that d’bag was me. But no true DMB fan considers that song their favourite, and if they did they certainly wouldn’t publicly admit it. C’mon, fake DMB fans, leave Satellites alone! (I kid, of course. Sort of.)

Which does also bring up the point: when the (arguably) 2 biggest stars of DCM (Helms and Rob Riggle) bailed on shows, UCB’s lips were sealed. No changes were posted or made on the website. When everyone’s schedules are made so strategically (you can’t normally get BACK into a venue for hours after you’ve left), isn’t it kinda crappy to let people try to venue hop to see a specific person who isn’t even going to be there?

I’d had a long day so I turned in early, missing such epic performances as Yoda Hot Tub at 3am. But never fear — Sean over at The Comic’s Comic has the details of those shenanigans, including video of Brett Gelman’s backstage prep. Definitely worth checking out!

More to come re: Saturday’s shows, including my thoughts on staying awake long enough to witness my first-ever Match Game ‘76.

In the meantime, here are those shots from Friday night. Lots more under the jump.

Press Conference

Press Conference

View more photos

  • Delicious
  • Facebook
  • Reddit
  • Twitter
  • StumbleUpon
  • Digg
  • Share/Bookmark

WEBCAST TO BROADCAST

Panelists: Josh Faure-Brac (Creator & Executive Producer, SuperNews), Steven K.L. Olson (Director of Animation, SuperNews)

There’s no way around it: I completely bailed on this one. I even bailed on the thing I was intending to bail on it for (the Artists vs. Industry ball hockey game).

Funny thing about Just For Laughs: your perception of time kinda fades throughout the week. The day goes fast, the evening is full of so many shows that you lose track of what time it is, and before you know it you’re back at the Hyatt bar sitting and chatting with an array of really awesome people who totally trump sleep. When people start to trickle in for round 2 after the big Russell Peters dance party around the corner has shut down, and you realize it’s almost 4 a.m…. Oops.

I asked a lot of people if they made it to hear the SuperNews guys speak on Saturday morning, and they hadn’t. Shows went late. The midnight party went late. Kibitzing around the hotel bar went late.

On behalf of all of us who overdid it the night before, please accept the following linkage with my apologies.

SuperNews: http://current.com/supernews/

SuperNews blog: http://blogs.current.com/supernews/

Steven K.L. Olson: http://www.sklomotion.com/

Josh Faure-Brac on Twitter: http://twitter.com/super_Josh

——

IN CONVERSATION…WITH TODD PHILLIPS

Speaking of heavy drinking and the morning after… JFL’s Comedy Director of the Year Todd Phillips was interviewed by Bill Carter of the New York Times, spending a very entertaining hour talking almost exclusively about directing The Hangover.

He was recently out for lunch in Los Angeles, when a firefighter recognized him from his part in Old School, and yelled “I’m here for the gang bang!” The kicker: he was at lunch with his mom.

Phillips takes public feedback to test screenings very personally, recalling an instance of him “lying behind the back row of a theatre in Burbank” listening to an audience react to a screening. The studio told him that the only person to be more angst-ridden over test screenings is Oliver Stone.

For test screenings, they rarely bother to look at “the cards” (the written surveys the participants fill out), because the general consensus from the type of people who see his screenings is that he needs more scenes about pot. He says they use nightvision to film the audiences’ faces, which doesn’t just measure when they’re laughing and how hard, but also shows them when they’re getting bored and fidgity.

Fun fact: The original draft of The Hangover had no stolen tiger, and no missing baby.

Reluctant to answer questions about Mike Tyson’s acting skills, Phillips would only say “he’s a boxer”, and “he really likes fucking with people’s perceptions of him.”

The epic story of how Ed Helms removed his dental implant for the role is well known, but Phillips provided a few extra details. At first, they tried various methods of covering his tooth, including blacking it out and greenscreening it. Nothing was working, and Phillips was stressing over it, when Helms finally revealed it was an implant. Being the good friend he is, Phillips made him feel bad about it, telling him “it’s so much smaller than your other teeth”. (You be the judge.)

He convinced Helms to have it replaced (courtesy of the film’s budget) and even debriefed the dentist (who happened to also be his own dentist) to not make a big deal of it to Helms. It would be easy! While he was without an implant, Helms wore a retainer-type device with a single tooth on it, and even had to wear it well into production of The Office in case there had to be additional shooting for The Hangover.

On judging whether something is funny or not while shooting it, and not always relying on crew laughter as a barometer: “sometimes they laugh because they want you to stop and go for lunch.”

On Zach Galifinakis: His comedy is so subtle, “unless you play to that, he can really get lost in a movie.”

On Bill Carter reciting a list of his in-development projects: “You can’t treat IMDB like it’s the Wall Street Yournal. You realize it’s some 14 year old in Tampa writing those.”

The famous promo shot of the guys in the elevator was not re-staged for still photography. Phillips loved that shot so much while filming, he had them stay put and called the still photographer over to shoot it.

When he’s shooting, he can sense when a scene is not working, and just stopping and taking a walk with the guys to figure it out can help significantly.

There are always a few days scheduled after wrapping for reshoots. For the Hangover they didn’t have to reshoot any scenes to make them better, just shoot new ones for continuity (ie. to bridge scenes A and D, when B and C had been cut).

On doing movies that have real characters in plausible situations: “I like Austin Powers as much as anyone, but it’s not the kind of movie I want to make.”

  • Delicious
  • Facebook
  • Reddit
  • Twitter
  • StumbleUpon
  • Digg
  • Share/Bookmark

About Me

Twitter

    Photos

    Activate the Flickrss plugin to see the image thumbnails!